Description

Applique Cylindrique from Nemo is a wall lamp that plays with direct and indirect light. Designed by Charlotte Perriand, the luminaire is based on human gestures and movements – Perriand found them immensely fascinating and therefore often used various pivoting details in her luminaire designs. The direction and amount of light from Applique Cylindrique can be adjusted by lightly touching and turning its blue-painted shade. Thanks to its insightful design, Applique Cylindrique is as suitable as a reading light in the bedroom as it is for creating mood lighting in the living spaces.

Nemo Lighting

Applique Cylindrique Petite wall lamp, light blue


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Material
Aluminium, methacrylate
Colour
Anthracite, light blue
Width
16 cm
Depth
7,5 cm
Height
10,5 cm
Bulb base
E14
Light source
Max 7W LED, (not included)
IP rating
20
Energy label
A++ - E
Voltage
230V
Nominal frequency
50-60Hz
Certifications and labels
CE, EAC
Dimmable
Yes
Hardwired wall mount
Yes

Charlotte Perriand

Charlotte Perriand (1903–1999) was a French architect and designer, who is most famously known for her ingenious, minimalist, and deeply functional work. Metal was of particular importance in Perriand’s design. Charlotte Perriand believed that skillful, quality design could also help to build a better, more sustainable society.

Charlotte Perriand was a forerunner, leaving a lasting imprint on European design and its philosophy. Just starting her professional career after graduating from Ecole de L'Union Centrale des Arts Décoratifs, she was acclaimed by critics for her piece, Bar Under the Roof, exhibited at the Salon de Autumn in 1927. The reviews instantly made her one of the most interesting contemporary designers of the time.

Perriand worked in collaboration with legendary constructeurs Le Corbusier and Jean Prouvé, developing mass production of furniture and prefabricated housing. The hallmark of Perriand’s career is thought to be the Les Arcs ski resort in Savoie, France. Perriand was in charge of the design and building of Les Arcs, and her interests in standardization, industrialization, and prefabrication are clearly visible: The minimalist hotel rooms, standardized kitchens and bathroom, and the great collective spaces open to nature repeat Charlotte Perriand’s design philosophy flawlessly.

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