Description

Carl Hansen & Søn's BM4570 chair is part of Børge Mogensen's reinterpreted Deck Chair outdoor range, created by the legendary designer in the late 1960s. The sleek chair exudes the simple functionality of the Shaker style, and its minimalistic form captures the eye. Over the years, natural patina adds even more character to the piece as the teak frame turns a beautiful silver hue. The suspended seat is made from weatherproof marine canvas, giving the BM470 chair a relaxed look and making it both comfortable and highly durable.

An elegant nod to the laid-back aesthetics of camping chairs, the BM4570 outdoor dining chair can be combined with dining tables in various styles, but it is also a delightful addition to both the garden and the terrace as such. The folding chair is also easy to store – the furniture in the collection can even be neatly hung on the wall using the wall-mounted BM527OS rack. 

Carl Hansen & Søn

BM4570 chair, teak - off-white

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Availability

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Details

Colour
Teak, off-white
Width
50 cm
Depth
53 cm
Seat height
53 cm
Height
72 cm
Base material
Natural teak
Seat material
Heritage Papyrus 18006: 50% Acrylic, 50% Recycled Sunbrella acrylic outdoor fabric
Notes
Please note that untreated teak furniture will develop a patina over time, eventually turning a pale grey colour. If you wish to retain the original golden colour, it is recommended to treat teak furniture with a suitable teak sealant.

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Børge Mogensen

Danish furniture designer Børge Mogensen (1914 –1972) was one of the most influential designers of the Danish modern. Mogensen studied furniture design at Royal Danish Academy of Fine Arts, and his designs aimed at functionality, minimalist appearance and easy accessibility. Soon after his graduation Mogensen was named the chief of Danish Consumers’ Co-operative Society FDB, which focused on producing functional, durable and affordable furniture for all social classes.

Mogensen’s designs were often extremely modest and confident at the same time, and the same goes for his personality. Mogensen preferred to work with traditional and natural materials, but also liked to experiment with new techniques and supported the industrial production of furniture. His work was also influenced by folk art, lithography and Japanese wood carvings. During his career Mogensen was awarded with the Eckersberg Medal and C.F. Hansen Medal, and in 1972 he was named Honorary Royal Designer for Industry by the British Royal Society of Arts.

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