Description

The classic PH 4 1/2-4 pendant from Louis Poulsen features an innovative three-shade system developed by Poul Henningsen in the 1920s. The three mouth-blown opal glass shades with a sandblasted inner surface form a sculptural lamp that provides a pleasant, glare-free light and brings timeless elegance to any space. The high lustre chrome base gives the PH 4 1/2-4 pendant a modern, sophisticated look.

Louis Poulsen

PH 4 1/2-4 pendant, chrome plated

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Availability

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Details

Material
Shades: mouth-blown matt white opal glass, Anti-glare disc: purple, spun aluminium, Suspension: high lustre chrome plated, extruded aluminium
Colour
High lustre chrome plated, white opal glass
Diameter
45 cm
Height
41 cm
Bulb base
EU: E27 / US: A-21/medium
Light source
EU: 15W LED (not included) / US: 22W LED (not included)
IP rating
EU: 20 / US: cULus, dry location
Protection class
I
Energy label
A+ - E
Voltage
220–240 V
Nominal frequency
50–60 Hz
Certifications and labels
EU: CE marked, tested and approved according to European standards
Cable length
300 cm
Cable colour
Black
Cable material
Textile
Weight
5 kg
Canopy
Yes
Ceiling plug
No
Dimmable
No, but can be fitted with an aligned dimmer. In this case, please use a dimmable light bulb.

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Poul Henningsen

Poul Henningsen (1894-1967) was a famous Danish designer who studied at the Technical School at Frederiksberg, Denmark, from 1911 to 1914, and then at the Technical College in Copenhagen from 1914 to 1917. He started practicing traditional functionalistic architecture, but over the years his professional interests changed to focus mainly on lighting which is what he became famous for.

He also expanded his field of occupation into areas of writing, becoming a journalist and an author. His lifelong collaboration with Louis Poulsen Lighting began in 1925 and lasted until his death. To this day, Louis Poulsen Lighting still benefits from his genius. Poul Henningsen was also the first editor of the company magazine “NYT”. Poul Henningsen’s pioneering work concerning the relations between light structures, shadows, glare, and color reproduction – compared to man’s need for light remains the fondation of the lighting theories still practiced by Louis Poulsen Lighting.

Read an article about Poul Henningsen >

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