Louis Poulsen celebrates the 120th anniversary of Poul Henningsen by introducing a new PH lamp. The PH 3½-3 pendant lamp is based on a reflective three-shade system. This modern but still timeless pendant lamp suits well for many different interiors. PH 3 ½-3 pendant lamp is an important part of Denmark's design history.
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PH 3 1/2-3 pendant, white
Louis Poulsen
Description
Louis Poulsen celebrates the 120th anniversary of Poul Henningsen by introducing a new PH lamp. The PH 3½-3 pendant lamp is based on a reflective three-shade system. This modern but still timeless pendant lamp suits well for many different interiors. PH 3 ½-3 pendant lamp is an important part of Denmark's design history.
- Width: 12.99 in (33 cm)
- Diameter: 12.99 in (33 cm)
- Height: 12.09 in (30.7 cm)
- Cable length: 118.11 in (300 cm)
- Material Aluminum, silk matt brown copper
- Colour White, brown copper
- Bulb base EU: E27 / US: A-19/medium
- Light source EU: 7-7.5W LED (not included) / US: 100W (not included)
- IP rating EU: 20 / US: cULus, dry location
- Protection class II
- Voltage 120 V
- Nominal frequency 50–60 Hz
- Certifications and labels EU: CE marked, tested and approved according to European standards
- Cable colour White
- Cable material Textile
- Weight 2.87 lbs (1.3 kg)
- Canopy Yes (white)
- Ceiling plug No
- Dimmable No, but can be fitted with an aligned dimmer. In this case, please use a dimmable light bulb.
- Product ID: LP5741913587
Poul Henningsen (1894–1967) was a renowned Danish designer. He studied at the Technical School in Frederiksberg from 1911 to 1914 and continued his education at the Technical University of Copenhagen from 1914 to 1917. Henningsen began his career as an architect, but gradually shifted his focus to lighting and lamp design. Later in his life, he also worked as a journalist and writer.
Henningsen’s long-standing collaboration with Louis Poulsen began in 1925 and continued until his death. His ingenious lighting designs remain a cornerstone of Louis Poulsen’s collection to this day. He also served as the first editor of Louis Poulsen’s corporate magazine, NYT. Henningsen’s work explored the structure of light, shadow, reflection and color rendering – themes that still influence the company’s design philosophy.
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