Nemo Lighting Potence Pivotante Mini wall lamp, black
Nemo Lighting Potence Pivotante Mini wall lamp, black
Nemo Lighting Potence Pivotante Mini wall lamp, black
Nemo Lighting Potence Pivotante Mini wall lamp, black

Potence Pivotante Mini wall lamp, black

Nemo Lighting

$426.40 $533.00

Nemo Lighting
Potence Pivotante Mini wall lamp
$426.40 $533.00

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Italian Nemo Lighting has re-launched the strikingly minimalist wall light Charlotte Perriand designed in 1938. Potence Pivotante Mini is a smaller version of the famous Potence Pivotante lamp: an L-shaped light that rotates 180 degrees on the wall and features a long and slender aluminium arm. With its slender shape and timeless, reduced form, Potence Pivotante makes a perfect statement light in both private and public contexts.

Aluminium, metal, glass
84 cm
8 cm
8 cm
50 cm
Bulb base
Light source
4W LED (included)
IP rating
Protection class
230 V
Nominal frequency
50–60 Hz
Certifications and labels
EU plug
Cable length
250 cm

Charlotte Perriand

Charlotte Perriand (1903–1999) was a French architect and designer, who is most famously known for her ingenious, minimalist, and deeply functional work. Metal was of particular importance in Perriand’s design. Charlotte Perriand believed that skillful, quality design could also help to build a better, more sustainable society.

Charlotte Perriand was a forerunner, leaving a lasting imprint on European design and its philosophy. Just starting her professional career after graduating from Ecole de L'Union Centrale des Arts Décoratifs, she was acclaimed by critics for her piece, Bar Under the Roof, exhibited at the Salon de Autumn in 1927. The reviews instantly made her one of the most interesting contemporary designers of the time.

Perriand worked in collaboration with legendary constructeurs Le Corbusier and Jean Prouvé, developing mass production of furniture and prefabricated housing. The hallmark of Perriand’s career is thought to be the Les Arcs ski resort in Savoie, France. Perriand was in charge of the design and building of Les Arcs, and her interests in standardization, industrialization, and prefabrication are clearly visible: The minimalist hotel rooms, standardized kitchens and bathroom, and the great collective spaces open to nature repeat Charlotte Perriand’s design philosophy flawlessly.

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