PH 3/2 pendant lamp by Poul Henningsen was designed in 1926 for the Forum exhibition hall in Copenhagen. The PH 3/2 pendant lamp is based on a reflective three-shade system. This beautiful pendant lamp is made of hand-blown white opal glass shades, which have been sandblasted on the undersides to create unique illumination.
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PH 3/2 pendant, chrome plated
Louis Poulsen
Description
PH 3/2 pendant lamp by Poul Henningsen was designed in 1926 for the Forum exhibition hall in Copenhagen. The PH 3/2 pendant lamp is based on a reflective three-shade system. This beautiful pendant lamp is made of hand-blown white opal glass shades, which have been sandblasted on the undersides to create unique illumination.
- Width: 11.42 in (29 cm)
- Diameter: 11.42 in (29 cm)
- Height: 9.53 in (24.2 cm)
- Cable length: 118.11 in (300 cm)
- Material High lustre chrome plated steel, opal glass
- Colour White
- Bulb base EU: E27 / US: A-19/medium
- Light source EU: 7-8W LED (not included) / US: 15W LED (not included)
- IP rating EU: 20 / US: cULus, dry location
- Protection class I
- Voltage 220–240 V
- Nominal frequency 50–60 Hz
- Certifications and labels EU: CE marked, tested and approved according to European standards
- Cable colour Black
- Cable material Textile
- Weight 3.09 lbs (1.4 kg)
- Canopy Yes
- Ceiling plug No
- Dimmable No, but can be fitted with an aligned dimmer. In this case, please use a dimmable light bulb.
- Product ID: LP5741916199
Poul Henningsen (1894–1967) was a renowned Danish designer. He studied at the Technical School in Frederiksberg from 1911 to 1914 and continued his education at the Technical University of Copenhagen from 1914 to 1917. Henningsen began his career as an architect, but gradually shifted his focus to lighting and lamp design. Later in his life, he also worked as a journalist and writer.
Henningsen’s long-standing collaboration with Louis Poulsen began in 1925 and continued until his death. His ingenious lighting designs remain a cornerstone of Louis Poulsen’s collection to this day. He also served as the first editor of Louis Poulsen’s corporate magazine, NYT. Henningsen’s work explored the structure of light, shadow, reflection and colour rendering – themes that still influence the company’s design philosophy.
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