The Fyr tealight candleholder by Marimekko creates an elegant and safe setting for candlelight. The minimalist tealight lantern looks beautiful on a coffee table or dinner table, either individually or in groups of several candleholders. The Fyr candleholder was designed by Carina Seth Andersson and is made from mouth-blown glass.
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Fyr candleholder, clear
Marimekko
Description
The Fyr tealight candleholder by Marimekko creates an elegant and safe setting for candlelight. The minimalist tealight lantern looks beautiful on a coffee table or dinner table, either individually or in groups of several candleholders. The Fyr candleholder was designed by Carina Seth Andersson and is made from mouth-blown glass.
- Height: 8.3 cm
- Diameter: 12.7 cm
- Material Mouth-blown glass
- Colour Clear
- Care instructions Handwash
- Product ID: MA070747-100
Carina Seth Andersson (born in 1965) is a Swedish designer known for her glass and ceramic works that own a unique balance of timeless form and function. The work of Carina Seth Andersson carries a deceptively minimalist feel, concealing a range of highly considered details in which lie the extraordinary functionality of the products.
Carina Seth Andersson – master of glass and ceramics
Carina Seth Andersson is a Swedish designer known for her pared-back yet distinctly recognisable work in glass and ceramics.
Seth Andersson studied at the Orrefors glass school in 1987 and later graduated with a Master of Fine Arts from Konstfack, the University of Arts, Crafts and Design in Stockholm, in 1994. She has also shared her expertise as a lecturer at Beckmans School of Design.
Personal yet minimal
Working as an independent designer since 1993, Seth Andersson is especially known for everyday objects crafted from glass and ceramics, where clear form meets carefully considered function. Her work moves effortlessly between the realms of art, craftsmanship and industrial production.
In 1994, Seth Andersson was selected to represent Sweden at the Milan Triennale, and in 1998 she designed glass pieces for the Quite Simply collection as part of the European Capital of Culture project.
International career and collaborations
Carina Seth Andersson collaborates with numerous Scandinavian and international design brands, and her work has also left a mark on Finnish design: in 2016, a collection of vases and textiles inspired by Marimekko’s iconic patterns was launched to great acclaim.
Seth Andersson’s work has been exhibited worldwide and is included in the permanent collections of institutions such as the Victoria and Albert Museum in London, the Stedelijk Museum in Amsterdam and the Designmuseum Denmark.
Who: Carina Seth Andersson
- Swedish designer, born 1965.
- Graduated from Konstfack, Stockholm, in 1994.
- Works primarily with glass and ceramics, focusing on everyday objects.
- Known for her minimalist and harmonious style.
- Notable designs: glass vases for Marimekko, the Sand collection for Design House Stockholm.
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Anonyymi | Verified Customer
Finland
Kaunis, tyylikäs
2 years ago
The Product Sustainability Framework, our criteria of sustainable design, helps you find the most sustainable products in our selection. Read below which sustainability criteria this product has met.
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Equal opportunities for all employees -
Commitment to UN Global Compact, fair compensation for all employees
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Corporate responsibility requirements defined and communicated for suppliers
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Systematic work for improved inclusion and well-being in the workplace
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Transparent supply chain
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Suppliers' compliance to a code of conduct ensured
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Direct suppliers audited and certified
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Compliance to the UN Guiding Principles on Business and Human Rights ensured in the supply chain
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Support for community involvement in the supply chain
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Fair and resource-wise water-use in production
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No incineration or landfilling of returned items
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No use of endangered species as materials
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No direct environmental emissions or waste (excl. GHGs) from production
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The sustainability of direct suppliers' production is addressed and monitored
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Material-efficient and ecological packaging
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Production and material sourcing that respect biodiversity, animal rights, and natural ecosystems
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Positive impact on nature’s well-being through operations that regenerate natural ecosystems
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No potentially harmful chemicals used in own production
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Company's direct greenhouse gas emissions identified and commitment to reduction
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Product's carbon impact identified and commitment to reduction
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Guidance on energy- and eco-efficient use of the product
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Contribution to climate initiatives beyond the brand’s direct operations
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Low-carbon or compensated transportation
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Carbon footprint of the product calculated and goals set to reduce it
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100 % renewable energy in own production and operations
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Carbon neutral or carbon negative product
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Sustainable and long-lasting material choices
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No harmful or hazardous substances
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Responsible raw material sourcing and production
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Materials suited for circularity: monomaterials, recyclable finishings, renewable or recycled contents etc.
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Ecological materials: natural, biodegradable, recyclable or recycled contents
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Outstanding materials in terms of innovativeness, responsibility, sustainability and circularity: local production or sourcing, 100 % recycled content, C2C-certification etc.
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High aesthetic quality promoting long-term use of the product
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Technically durable product design and material choices
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Design for enduring life-long quality
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Design and support for product maintenance, repair and upgradability
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Innovative circular design solutions: circular service system, resale platform, remanufacturing, collection of used products, etc.
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