The classic PH 2/1 table lamp from Louis Poulsen features an innovative three-shade system developed by Poul Henningsen in the 1920s. The three mouth-blown opal glass shades with a sandblasted inner surface form a sculptural lamp that provides a pleasant, glare-free light and brings timeless elegance to any space. The brass-metallised base gives the PH 2/1 table lamp a warm, sophisticated finish.
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PH 2/1 table lamp, metallised brass
Louis Poulsen
Description
The classic PH 2/1 table lamp from Louis Poulsen features an innovative three-shade system developed by Poul Henningsen in the 1920s. The three mouth-blown opal glass shades with a sandblasted inner surface form a sculptural lamp that provides a pleasant, glare-free light and brings timeless elegance to any space. The brass-metallised base gives the PH 2/1 table lamp a warm, sophisticated finish.
- Width: 7.87 in (20 cm)
- Diameter: 7.87 in (20 cm)
- Height: 13.98 in (35.5 cm)
- Cable length: 68.9 in (175 cm)
- Material Mouth-blown glass, metallised brass
- Colour Brass, white
- Bulb base EU: G9 / US: G9
- Light source EU: 2-3W LED (not included) / US: 4W LED T4 (not included)
- IP rating EU: 20 / US: cULus, dry location
- Protection class II
- Voltage 220–240 V
- Nominal frequency 50–60 Hz
- Certifications and labels EU: CE marked, tested and approved according to European standards
- Plug EU: EU plug / US: US plug
- Cable colour White
- Cable material Plastic
- Weight 3.31 lbs (1.5 kg)
- Dimmable No
- Notes Base diameter 4.72 in (12 cm)
- Product ID: LP57419-PH21-BRM
Poul Henningsen (1894–1967) was a renowned Danish designer. He studied at the Technical School in Frederiksberg from 1911 to 1914 and continued his education at the Technical University of Copenhagen from 1914 to 1917. Henningsen began his career as an architect, but gradually shifted his focus to lighting and lamp design. Later in his life, he also worked as a journalist and writer.
Henningsen’s long-standing collaboration with Louis Poulsen began in 1925 and continued until his death. His ingenious lighting designs remain a cornerstone of Louis Poulsen’s collection to this day. He also served as the first editor of Louis Poulsen’s corporate magazine, NYT. Henningsen’s work explored the structure of light, shadow, reflection and colour rendering – themes that still influence the company’s design philosophy.
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