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Over 200,000 items in stock and ready to ship

Fast worldwide delivery to over 180 countries

Over 200,000 items in stock and ready to ship

Røros Tweed Kvam cushion, 50 x 50 cm, blue
Røros Tweed Kvam cushion, 50 x 50 cm, blue
Røros Tweed Kvam cushion, 50 x 50 cm, blue
Røros Tweed Kvam cushion, 50 x 50 cm, blue
Røros Tweed Kvam cushion, 50 x 50 cm, blue
Røros Tweed Kvam cushion, 50 x 50 cm, blue

Kvam cushion, 50 x 50 cm, blue

Røros Tweed

114.00€

Røros Tweed
Kvam cushion
114.00€


  • 30 days return policy
  • Climate-compensated deliveries
  • Excellent reviews from our customers

Description

Røros Tweed's Kvam cushion, designed by Kristine Five Melvær, is a treat for the senses. The distinctive, almost illusion-like pattern draws inspiration from the process of weaving – the grid pattern represents the vertical and horizontal yarns or threads of the weave and evokes images of both traditional Norwegian and Japanese motifs. Made from Norwegian sheep’s wool and filled with duck feathers, the luxuriously soft Kvam cushion is a beautiful and practical addition to both a sofa and the bed – and also makes a great gift idea.

High-quality home textiles by the Norwegian Røros Tweed are made from 100% Norwegian lambswool, shorn from sheep living free in the mountains. The manufacturing process is also kept fully in Norway to maintain high standards, which have been essential to the company's continued success since the 1940s.

Material
100% Norwegian lambswool
Colour
Blue, grey, off-white
Fabric
Inner cushion: 100% cotton
Filling
Inner cushion: small duck feathers
Length
50 cm
Width
50 cm
Zipper
Yes
Removable cover
Yes
Weight
1.1 kg
Care instructions
Cover: hand wash at 30°C or dry clean

Kristine Five Melvær

Kristine Five Melvær is an Oslo-based, award-winning designer who has graduated from the Oslo School of Architecture and Design with a degree in industrial design as well as the Oslo National Academy of the Arts with a degree in visual communication. She combines these two disciplines by approaching design with the communicative and evocative potential of objects as her starting point.

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