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&Tradition’s Flowerpot VP4 table lamp is a design classic from 1968, created by Verner Panton. Standing on a rounded metal base, the Flowerpot table lamp makes a distinctive eye-catcher in the living room or an atmospheric luminaire on the bedside table. Flowerpot VP4 also works nicely as a desk lamp due to its adjustable shade: you can slide the shade up and down to set it to the desired angle.
The joyful Flowerpot lamp was inspired by peace, love and the Flower Power era of the 60s, and it became a true design icon soon after its launch. The silhouette of the lamp is created by two hemispheres, which let the light reflect down in a soft, pleasant manner.
The architect Verner Panton (1926–1998) is regarded as one of the most significant Danish furniture and interior designers of the 20th century. Panton’s work is on display in numerous museums around the world, and he earned several major awards for it.
Panton’s sense of color, form and space was second to none. He is remembered above all as a bold user of color, a creator of futuristic forms and a designer of inventive plastic furniture. The objects and lamps Panton designed break the boundaries of traditional Scandinavian design and continue to inspire new generations.
Verner Panton was a Danish designer and architect regarded as one of the most original and influential design names of the latter half of the 20th century. He studied architecture at the Royal Danish Academy of Fine Arts in Copenhagen and, in the early stages of his career, worked in Arne Jacobsen’s office before founding his own studio in 1955.
Panton is known above all for his bold use of color, his futuristic forms and his way of bringing together furniture, lighting, textiles and interiors into complete environments. His work brought a new kind of experimentation, playfulness and visual power to Scandinavian design.
Panton was interested in new materials and production techniques, plastic in particular. He designed several radical pieces of furniture whose organic forms and bright colors embodied the optimistic future esthetic of the 1960s and 70s. He was especially fascinated by the potential of plastic to create cohesive, organic and technically ambitious forms – this thinking culminated in Vitra’s Panton chair, which became one of the most famous chairs of the 20th century.
Panton also designed several distinctive lamps that have retained their popularity over the decades. One of the best-known is the Panthella lamp, designed in 1971 and manufactured by Louis Poulsen.
Panton is also remembered as a colorful and inspiring personality. He described his own work as follows:
”The main purpose of my work is to provoke people into using their imagination. Most people spend their lives in dreary, gray-beige conformity, mortally afraid of using colors. By experimenting with lighting, colors, textiles and furniture, I try to show new ways to use them. I hope that this will encourage people to use their imagination and make their surroundings more exciting.”
Many of Panton’s works are design classics today, and his work is on display in numerous museums around the world.
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