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Floatation pendant, white - red
Description
Designed by Ingo Maurer in 1980, the Floatation pendant is a sculptural luminaire with an ethereal presence. The pendant consists of three delicate shades made of Japanese paper that gently diffuse light, casting a soft and atmospheric glow all around. The shades are suspended with thin wires, and their height can be easily adjusted using the red metal ring.
Thanks to its light and airy expression, Floatation is a beautiful choice above a dining table, in the living room or any space where a graceful eye-catcher is needed. Every detail, from the handmade paper to the white metal canopy, reflects timeless elegance and Ingo Maurer’s uncompromising design philosophy.
- Width: 0 cm
- Diameter: 0 cm
- Height: 0 cm
- Measurement details: Shade height 45 cm
- Cable length: 200 cm
- Material Japanese paper, metal
- Colour Red, white
- Bulb base 5 x E27
-
Light source
1 x max. 100W LED (below) recommended spot bulb PAR30 / 38,
2 x max. 60W LED (center) A55/A60 (=A17/A19)
2 x max. 40W LED (above) A55/A60 (=A17/A19) (not included) - IP rating 20
- Protection class I
- Voltage 100–240 V
- Nominal frequency 50–60 Hz
- Certifications and labels CE, UKCA
- Cable colour Transparent
- Cable material Plastic
- Weight 0 kg
- Canopy Yes, white
- Ceiling plug No
- Dimmable No
- Notes Can be fitted with an aligned dimmer. In this case, please use a dimmable light bulb.
-
Care instructions
Never use damp cloths, sponges or similar on the
paper shade! Clean the shade if necessary with a light feather
duster or paintbrush. The metal parts can be wiped with a dry
cloth. - Product ID: INM-1223000
German designer Ingo Maurer (1932–2019) is best known for his imaginative and poetic lighting designs. With a background in graphic design, Maurer founded his own studio in Munich in 1966 and went on to create many iconic lamps that blend playful lightness, craftsmanship and technical innovation. His work has been featured in international design exhibitions as well as in homes and public spaces around the world. For Mayrer, light was never just a functional tool – it is a feeling, a moment, and an experience.
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