The Met announces first major U.S. exhibition of works by Finnish painter Helene Schjerfbeck
Installation view of Seeing Silence: The Paintings of Helene Schjerfbeck, on view December 5, 2025–April 5, 2026 at The Metropolitan Museum of Art. Photo by Anna-Marie Kellen, Courtesy of The Met
BELOVED IN NORDIC COUNTRIES for her highly original style, Finnish painter Helene Schjerfbeck (1862–1946) is relatively unknown to the rest of the world. The Metropolitan Museum of Art’s Seeing Silence: The Paintings of Helene Schjerfbeck is the first major exhibition in the United States dedicated to the artist’s work.
Featuring nearly 60 works on canvas – including generous loans from the Finnish National Gallery / Ateneum Art Museum, other Finnish museums, and private collections in Finland and Sweden – the exhibition will be on view December 5, 2025, through April 5, 2026.
Photo by Anna-Marie Kellen, Courtesy of The Met
Photo by Anna-Marie Kellen, Courtesy of The Met
Born in Helsinki, Schjerfbeck witnessed civil war and two World Wars as well as the burgeoning of Finland’s national identity following independence from Russian rule in 1917. Despite many personal hardships, Schjerfbeck never wavered in her determination to pursue her passion, painting for most of her life in a remote Nordic country, far removed from Europe’s centers of cultural upheaval and renewal. She once said resolutely, “All that I desire to do is to paint… there is always something to conquer.”
“Seeing Silence highlights the work of an extraordinary artist who, though long celebrated in Norway and Sweden as the most outstanding female painter of her time, has not yet achieved well-deserved visibility on this side of the Atlantic,” said Max Hollein, The Met’s Marina Kellen French Director and Chief Executive Officer. “The exhibition invites audiences here to experience Helene Schjerfbeck’s mesmerizing works and distinctive vision for the first time at a major U.S. museum, showcasing the remarkable perspective and introspection of an artist wholly dedicated to her craft over the course of eight decades.”
“The exhibition invites audiences here to experience Helene Schjerfbeck’s mesmerizing works and distinctive vision for the first time at a major U.S. museum.”
Dita Amory, Robert Lehman Curator in Charge of the Robert Lehman Collection at The Met, said, “Painting in remote Finland without recourse to broader culture and the exchange of contemporary ideas, Schjerfbeck created her own language every day at her easel by sheer force of will. Seeing Silence looks beyond art history’s cultural mainstream to one woman who overcame immense struggles to produce a powerful body of work, highlighting her rightful place in the story of modernism.”
Helene Schjerfbeck’s “Self-Portrait” (1912), from the Finnish National Gallery’s Ateneum Art Museum collection, is on view in the exhibition. Photo: Finnish National Gallery / Yehia Eweis.
Helene Schjerfbeck’s “The Lace Shawl” (1920), now part of The Metropolitan Museum of Art’s collection. Photo: The Metropolitan Museum of Art.
Seeing Silence will trace Schjerfbeck’s artistic development from her early years in Helsinki to the end of her life in Sweden, illuminating the artist’s evolving style from traditional subjects in a naturalist vein to a painterly language of spare, often densely worked imagery. Schjerfbeck sanded and scratched through layers of paint, sometimes exposing the rough weave of her canvases as she experimented with her materials.
As a valuable voice among the many strands of modernism at play throughout the world in the early 20th century, Schjerfbeck expressed a unique visual language that deserves recognition in the codified narratives of art history.
The iconic façade of The Metropolitan Museum of Art welcomes visitors to one of the world’s leading art institutions. Photo: Brett Beyer
Exhibition details:
Seeing Silence: The Paintings of Helene Schjerfbeck
The Met Fifth Avenue, Gallery 964, New York
December 5, 2025–April 5, 2026
See also:
• Tones of Modernism Collection at Finnish Design Shop >
Text: Design Stories
Published on 5 Dec, 2025
