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Louis Poulsen Collage 600 pendant, matt white
Louis Poulsen Collage 600 pendant, matt white
Louis Poulsen Collage 600 pendant, matt white

Collage 600 pendant, matt white

Louis Poulsen

$2,500.00

Louis Poulsen
Collage 600 pendant
$2,500.00


  • 30 days return policy
  • Climate-compensated deliveries
  • Excellent reviews from our customers

Description

Louis Poulsen’s Collage 600 pendant light is designer Louise Campbell’s intriguing interpretation of natural daylight. The light was launched in 2005 and consists of three laser cut acrylic shades that feature a beautiful organic pattern. They eliminate unpleasant glare and imitate the natural layers that filter and reflect sunlight. Collage plays with light and shade and changes its appearance depending on the viewing angle. The pendant light looks charming in the living room and above the dining table and also creates stunning groups with the smaller Collage 450 light.

Material
Shades: laser cut matt acrylic, suspension: natural anodised aluminium
Colour
White mat
Width
23.62 in (60 cm)
Diameter
23.62 in (60 cm)
Height
14.17 in (36 cm)
Bulb base
EU: E27 / US: A-21/medium
Light source
EU: 8-12W (not included) / US: 22W LED (not included)
IP rating
EU: 20 / US: cULus, dry location
Protection class
II
Voltage
220–240 V
Nominal frequency
50–60 Hz
Certifications and labels
EU: CE marked, tested and approved according to European standards
Cable length
157.48 in (400 cm)
Cable colour
White
Cable material
Plastic
Weight
9.92 lbs (4.5 kg)
Canopy
Yes (white)
Ceiling plug
No
Dimmable
No, but can be fitted with an aligned dimmer. In this case, please use a dimmable light bulb.

Louise Campbell

Louise Campbell (b. 1970) is a Danish designer who graduated from the London College of Furniture in 1992 and later on continued her studies in Industrial Design at the Danish Design School, graduating from there in 1995. Being the daughter of a Danish father and an English mother, she grew up and was educated in both countries and her dual nationality has certainly had an influence on her works. 

Her interest as a designer is focused on furniture and lighting design, but is increasingly involved in product design and interior design projects as well. The client list is long and varied, including companies such as Louis Poulsen, Zanotta, HAY, Royal Copenhagen, Holmegaard, Stelton, Muuto, Interstop and The Danish Ministry of Culture. Louise Campbell's designs are playful and experimental, and are increasingly gaining a reputation for gently twisting not only every day objects and situations, but also materials and manufacturing processes in new directions. Louise Campbell’s most famous works include the Prince chair for Hay, the Collage pendant lamp designed for Louis Poulsen and the More the Merrier candlestick created for Muuto. The Prince chair was originally designed in 2001 for a competition setting the task of designing a chair for His Royal Highness the Crown Prince Frederik of Denmark. Bound by centuries of firm traditions, and yet a young man very much in touch with his generation, Frederik lives a life full of contrasts. These contrasts were the obvious inspiration in designing the chair. On one level it illustrates a motif resembling fine old lace, (there is a point to the transparency of the chair – it is hard for a prince to hide from the public eye,) on the other level the chair is produced using visibly high technology methods. By challenging modern manufacturing processes, it is possible to perforate two very different materials – steel and rubber - with precisely the same pattern. The steel creates the framework of this chair, the rubber gives it softness and comfort, a refreshing alternative to upholstery. The chair didn’t win the competition, but has, since Hay decided to put it into production in 2005, managed to create a pleasantly high-flying jet-set life for itself anyway: it has won several awards and is now part of the MoMA collection in New York. The elegant Collage pendant lamp designed for Louis Poulsen was inspired by the way light in a forest filters through thousands of layers before reaching the ground. The pattern is based on a simple abstraction of the ellipse, which is positioned seemingly freely on all three layers. From nowhere does the light source blind the eye in spite of the hundreds of holes in the pendant. The More the Merrier, designed by Louise Campbell for Muuto, is a candlestick that is everything but streamlined. As the saying goes, the more elements you join together, the merrier the result. The candlestick can be constructed in infinite ways – ranging from a meticulous symmetry to a complete chaos. The design is a blend of the formal and the informal. Louise Campbell has received several awards including the Prince Eugene Medal and in 2005 she was nominated Danish Designer of the Year.

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The Product Sustainability Framework, our criteria of sustainable design, helps you find the most sustainable products in our selection. Read below which sustainability criteria this product has met.

  • Equal opportunities for all employees
  • Commitment to UN Global Compact, fair compensation for all employees
  • Corporate responsibility requirements defined and communicated for suppliers
  • Systematic work for improved inclusion and well-being in the workplace
  • Transparent supply chain
  • Suppliers' compliance to a code of conduct ensured
  • Compliance to the UN Guiding Principles on Business and Human Rights ensured in the supply chain
  • Direct suppliers audited and certified
  • Support for community involvement in the supply chain
  • Fair and resource-wise water-use in production
  • No incineration or landfilling of returned items
  • No use of endangered species as materials
  • No direct environmental emissions or waste (excl. GHGs) from production
  • The sustainability of direct suppliers' production is addressed and monitored
  • Material-efficient and ecological packaging
  • No potentially harmful chemicals used in own production
  • Production and material sourcing that respect biodiversity, animal rights, and natural ecosystems
  • Positive impact on nature’s well-being through operations that regenerate natural ecosystems
  • Company's direct greenhouse gas emissions identified and commitment to reduction
  • Product's carbon impact identified and commitment to reduction
  • Guidance on energy- and eco-efficient use of the product
  • Contribution to climate initiatives beyond the brand’s direct operations
  • Low-carbon or compensated transportation
  • Carbon footprint of the product calculated and goals set to reduce it
  • 100 % renewable energy in own production and operations
  • Carbon neutral or carbon negative product
  • Sustainable and long-lasting material choices
  • No harmful or hazardous substances
  • Responsible raw material sourcing and production
  • Materials suited for circularity: monomaterials, recyclable finishings, renewable or recycled contents etc.
  • Ecological materials: natural, biodegradable, recyclable or recycled contents
  • Outstanding materials in terms of innovativeness, responsibility, sustainability and circularity: local production or sourcing, 100 % recycled content, C2C-certification etc.
  • High aesthetic quality promoting long-term use of the product
  • Technically durable product design and material choices
  • Design for enduring life-long quality
  • Design and support for product maintenance, repair and upgradability
  • Innovative circular design solutions: circular service system, resale platform, remanufacturing, collection of used products, etc.

Learn more about the Product Sustainability Framework.